film

“Jesse Eisenberg Has a Few Questions” — An excellent interview at The New Yorker’s website. I can still remember seeing him for the first time in “Roger Dodger” in the early 2000s. A committed, inquisitive art-maker.

“The Zone of Interest” was an astonishing film. How it shows what it chooses to show; the sounds we hear of what it chooses not to show — it’s just an incredible work of art made with deep sensitivity by everyone involved. If you’ve already seen it, I recommend this Vanity Fair interview with writer/director Jonathan Glazer and director of photography Łukasz Żal. It’s streaming on MAX. Plan to rewatch soon.

Year in Review: 2023

Continuing a 23-year tradition of rounding up cultural highlights from the past 12 months, here’s a recap for 2023: 15 Books I Especially Loved This Year An Additional Batch I Enjoyed (That first hard-to-ID book is “Pentagram: Living By Design," which I had to scramble to procure …

“After Yang” was a beautiful, sensitive, and contemplative movie. Quiet, unrushed. The characters' world is strikingly, confidently created — of the future, but earthy, calm. Written and directed by Kogonada, whose “Columbus” I also loved. He’s got a singular vision and vibe. I’ll watch whatever he makes for however long he makes it.

Since 2000, I’ve been publishing a kind of year in review — mainly cultural highlights from the prior 12 months, along with a few personal notes. Here’s my post for 2022.

Julie Blackmon and Convergences

In the mid–2000s, I was completely taken by the book “Everything That Rises: A Book of Convergences,” written by Lawrence Weschler and beautifully published by McSweeney’s. Weschler surfaced “strange connections” between images and wrote about them intriguingly. I still think of the book when I come …

Rewatched Andrei Tarkovsky’s “Mirror,” a dozen years after first seeing it. Some unforgettable moments, meditative and life-enriching.

Year in Review: 2021

Since 2000, I’ve had a year-end tradition of sharing my cultural highlights of the past 12 months. For this year’s post, I’ll first note the major life change I had in 2021. After eight years leading comms and marketing for the nonprofit conservancy Forest Park Forever, I re-entered the agency world …

Year in Review: 2020

*Sylvie, sipping through a backyard quarantine concert by a friend and SLSO musician* Year 20 of my annual cultural-recap tradition was quite something. Thus far my family’s had good fortune amid the global pandemic, so we’re spending most of our time feeling grateful, yet exhausted, then grateful, …

Weeknotes #02

Odds and ends from the past few weeks: What a fun treat to see Forbes spotlight ListenForestPark.org, an audio microsite my team launched a few years ago as a side project. It’s found a new audience these days. Finished “Devs” on Hulu. Dug the style and performances; so-so on the ultimate substance. …

“A man’s work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened.”

Hadn’t seen this Camus quote before. (It appropriately closed a new profile on Sam Mendes in TNY.)

Cultural Notes: February 2018

Continuing for month two of this recent effort to note the cultural intake of the prior month:  Read Medardo Rosso: Experiments in Light and Form, Pulitzer Arts Foundation — (Disclosure: Married to a contributor) (A)Yes!: 50 Scientifically Proven Ways to Be Persuasive, Noah J. …

Cultural Notes: January 2018

With a nod to Kottke's monthly "Media Diet" posts, I'm experimenting this year with short monthly recaps of interesting things I've read, watched or listened to. (This is as much for myself, as noting what I took in can help me better recall it.) Read Paula Scher: Works — Terrific, from …

Year in Review: 2017

Continuing a 17-year tradition, I’m happy to share my Annual Favorites list for the year 2017: Family Let’s start with the best thing that happened to my family this year, which is the arrival of Sylvia Huremović Schenkenberg in late April. We’re still smiling at her the way Leo …

Gregory Crewdson:

I can still remember encountering Crewdson’s work for the first time in The New York Times Magazine more than a decade ago. Original, absorbing and haunting. Today’s “Monocle Weekly” interview with him had me heading to his website, which alerted me to this documentary. 

Hilton Als on “Moonlight”

Finally saw this extraordinary movie, piercing and tender and unforgettable. Catching up on some interesting pieces about it, including this one.

Year in Review: 2015

Continuing a15-year tradition (though one that’s gotten briefer with age and fatherhood), here’s a roundup of some of my favorite things experienced during the past 12 months: Books My Brilliant Friend, Elena Ferrante Those Who Leave and Those Who Stay, Elena Ferrante The Story of a New Name, Elena …

Ida

A film with gorgeous black and white shots from start to finish.

Year in Review: 2014

Back before Tamara and I had our son in the summer of 2013, I used to keep regular lists of my “Annual Favorites” of the year — the best books, movies, TV shows, podcasts, exhibitions and so on that I’d consumed that year. To say my rate of cultural digestion changed with fatherhood would be an …

"The stage directions were lucid... and the color of the binder: Good choice."

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Monocle 24 Turns One

A short film about the radio station’s first year. Can’t say I’ve ever connected with the music they play, but I enjoy subscribing to a handful of podcasts, with The Stack, Section D, and The Entrepreneurs at the top of the list. 
Gerhard Richter Painting,” certainly one of the finest artist documentaries I’ve ever seen. Smart, measured, surprising. Watch the trailer, then find it in your city. A big thanks to Webster University for bringing it to St. Louis.

"Radiohead’s Runaway Guitarist"

Great profile of Jonny Greenwood in today’s New York Times Magazine. Greenwood’s soundtrack for “There Will Be Blood” has been a favorite of mine on Rdio for the past year.