Astute, probing, and personal: A recent Sally Rooney address on “Ulysses,” published on The Paris Review’s website.
books
Ezra Klein talks with George Saunders: Saunders just nails the sudden inner-life, world-expanding improvements that reading good fiction can provide.
In his concise and incisive book What Tech Calls Thinking, Adrian Daub examines and punctures a range of tech proclamations and tropes that many of us have just gotten used to hearing in recent decades.
That may sound sober, but it was an engaging read. Here’s Daub — a Stanford professor who’s primarily focused on the humanities — on Ayn Rand (whom he writes about in the context of Elon Musk, Peter Thiel, and Pixar):
In other words, there is a weird (and acknowledged) tendency here to treat an effort like architecture, which by definition requires a group and—dare I say it—collectives, as though it were the art that an individual makes in the solitude of a studio or a favorite writing nook. This is what historians of ideas call a ‘genius aesthetic’: it describes our tendency to think that the meaning of a work of art comes out of the specific mind of its creator, not out of the preexisting rules that creator worked within nor the broader spirit of the society and time. When you’re talking about a novel, that makes a certain amount of sense. But Rand extended this sense of individual brilliance to some of humanity’s most communal undertakings. Have you ever looked at a rail line and thought, I wonder what the one genius who decided to build a bridge over this valley was thinking? Rand has. And notice that, thanks to Elon Musk, we actually finally do have a billionaire whose weird tunnel-boring projects are basically a form of performance art—a pure emanation of individual genius, and sort of useless to anyone else.
"What's Good: Notes on Rap and Language”
Saturday, June 11, 2022
What a supremely fine and lovingly crafted book this was. Astute, admiring, and entertaining scrutiny of decades of rap lyrics. Huge kudos to author Daniel Levin Becker. A few especially great passages I drew circles around in my copy: I will go to my grave wishing my self-conscious rhetorical throat-clearings could sound so cool. What Nas seems to toss off here is not just a very efficient overview of the themes he’s spent his career elaborating—decadence, gunplay, activism, divinity—but also a rare window onto his composition process, his creative deliberations, the whole inner monologue around medium and message that is at once so tantalizing in a rapper and so often viewed as beside the point.I was knocked out by Teju Cole’s Blind Spot in 2017. Just finished Black Paper: Writing in a Dark Time, and it’ll surely be a highlight of 2022. Sensitive, probing essays about humanity and the humanities. Such a privilege to be in his close-looking company. 📚
Year in Review: 2021
Friday, December 31, 2021
Since 2000, I’ve had a year-end tradition of sharing my cultural highlights of the past 12 months. For this year’s post, I’ll first note the major life change I had in 2021. After eight years leading comms and marketing for the nonprofit conservancy Forest Park Forever, I re-entered the agency world this summer by joining The Stoke Group, a fully distributed digital marketing and content studio that focuses on the B2B tech sector.Wednesday, December 29, 2021 →
Enjoyable read — indie design studio heads talking shop in “Studio Culture Now”. A few common themes: There’s freedom in staying small; having a nice workspace is a plus, but too much overhead’s a crusher; your design output matters, but so do process, leadership & owning your POV; social posts and basic PDFs can aid biz development more than a high-maintenance, glacially updated website; you can find success based anywhere, but be engaged w/ the field and your community. 📚
From my Christmas wish list to under the tree: Self-Reliance. That “I” is just perfection. Designed by Jessica Helfand and Jarrett Fuller. 📚
Enjoyed The Chancellor by Kati Marton. Qualities vital to Merkel’s rise and 16-year tenure: endurance, humility, steeliness, patience, calm. (She once described herself, as she stood next to the high-energy, publicity-seeking Sarkozy, as an “energy-conserving lamp.”) 📚
Year in Review: 2020
Thursday, December 31, 2020
*Sylvie, sipping through a backyard quarantine concert by a friend and SLSO musician* Year 20 of my annual cultural-recap tradition was quite something. Thus far my family’s had good fortune amid the global pandemic, so we’re spending most of our time feeling grateful, yet exhausted, then grateful, yet exhausted. With lots of time at home, there was some enjoyable culture to take in. Here’s a look at some highlights: Books The Source of Self-Regard: Selected Essays, Speeches & Meditations, Toni Morrison Uncanny Valley: A Memoir, Anna Wiener Our Man: Richard Holbrooke and the End of the American Century, George Packer Having and Being Had: Eula Biss My Parents: An Introduction, Aleksandar Hemon Minor Feelings: An Asian American Reckoning, Cathy Park Hong Weather, Jenny Offill Promised Land, Barack Obama Then the Fish Swallowed Him, Amir Ahmadi Arian Jack, Marilyn Robinson My Life in France, Julia Child Severance, Ling Ma Caste: The Origins of Our Discontents, Isabel Wilkerson Luster, Raven Leilani Intimations, Zadie Smith Monocle: How to Make a Nation The Passion Economy, Adam Davidson These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, Martha Ackmann Wine Simple, Aldo Sohm Normal People, Sally Rooney The Lying Lives of Adults, Elena Ferrante Girl, Edna O’Brien Lurking: How a Person Became a User, Joanne McNeil How to Be a Family, Dan Kois Mies van der Rohe, Edith Farnsworth, and the Fight Over a Modernist Masterpiece, Alex Beam The Secret Lives of Color, Kassia St.Latest rave: the new Aleksandar Hemon book, "My Parents: An Introduction / This Does Not Belong to You." Moving, funny. You get the sense Hemon has thought deeply about the moments he puts to paper.
Toni Morrison's Exquisite Nonfiction
Friday, March 6, 2020
I just finished Toni Morrison’s The Source of Self-Regard: Selected Essays, Speeches, and Meditations (2019), and every few pages or so, I thought to myself: it’s rare I’m taking in prose this rhythmically perfect, this deeply intelligent. From “Peril” (2008): How bleak, unlivable, insufferable existence becomes when we are deprived of artwork. That the life and work of writers facing peril must be protected is urgent, but along with that urgency we should remind ourselves that their absence, the choking off of a writer’s work, its cruel amputation, is of equal peril to us.Charles and Ray, Designers From the Near Future
Saturday, August 31, 2019
Loved this passage from Sam Jacob’s essay “Context as Destiny: The Eameses from Californian Dreams to the Californiafication of Everywhere,” published in the satisfyingly chunky The World of Charles and Ray Eames (2016): For architects and designers like [Peter and Alison Smithson, who were British], the Eameses’ Californian-ness opened a dazzlingly bright window into another world, a sun-kissed world far from the origins of European modernism weighed down by all that Old War baggage — by history, politics and war, by notions of an avant-garde, by post-war reconstruction and the serious politics of the welfare state.Tweedy + The Beasties
Saturday, August 24, 2019
Two relatively new music books I enjoyed this summer: Jeff Tweedy’s Let’s Go (So We Can Get Back:) A Memoir of Recording and Discording with Wilco, Etc. (honest, often funny; really enjoyed the sections about his sons) and the bluntly titled Beastie Boys Book (their mischief has been carried over to the copy and design).I was impressed and moved by Ocean Vuong’s debut novel, On Earth We’re Briefly Gorgeous. Poetic, searching, deeply affecting. Highly recommended. Related reading/listening: Jia Tolentino in The New Yorker; Kat Chow in The Atlantic; and this Politics & Prose conversation with the author (genuine, exacting, deeply intelligent).
From the novel:
Is that what art is? To be touched thinking what we feel is ours when, in the end, it was someone else, in longing, who finds us?
Teju Cole on Embedding Hesitation
Sunday, March 31, 2019
Really enjoyed this substantive recent conversation on Krista Tippett’s “On Being” podcast. At one point, Tippett quotes Cole’s Blind Spot, one of my favorite books from the last few years: “To look is to see only a fraction of what one is looking at. Even in the most vigilant eye, there is a blind spot. What is missing?” She tells Cole, “I find that useful language.” The ruminative Cole responds:Craig Mod on the Future of Books
Saturday, December 22, 2018
Thoughtful piece at Wired from someone who’s been thinking and writing about this subject for quite some time: “We have arrived to the once imagined Future Book in piecemeal truths.”Ta-Nehisi Coates on the Essential Role of Great Editors
Sunday, December 9, 2018
At the close of Coates’ recent interview with Chris Hayes, the host asks him if he’s working on a new book. The dodge Coates gives, not wanting to discuss a project-in-process, ends up being a terrific toast to the necessity of sharp, tough early readers and editors: I do, I do have a writing project and I love you people so much, let me tell you how much I love you.New Knausgaard Interview @ NewYorker.com
Monday, November 12, 2018
From a substantive new interview with Joshua Rothman: I had felt for many, many years that the form of the novel, as I used it, created a distance from life. When I started to write about myself, that distance disappeared. If you write about your life, as it is to yourself, every mundane detail is somehow of interest—it doesn’t have to be motivated by plot or character. That was my only reason for writing about myself.More Great Listening: Batuman & Sow
Friday, June 8, 2018
The Longform Podcast's new episode with Elif Batuman is fantastic. I've enjoyed her writing for a few years, and in this interview you can just feel her thinking deeply about literature and writing and gender and observing in cities around the world and much more. As interviewer Max Linsky tweeted when sharing the link: "Genuinely, this is the most fun I have had in a long time. It was so fun, in fact, that at one point I stopped and said 'Wow I’m just very happy to be sitting here with you!Cultural Notes: February 2018
Monday, March 5, 2018
Continuing for month two of this recent effort to note the cultural intake of the prior month: Read Medardo Rosso: Experiments in Light and Form, Pulitzer Arts Foundation — (Disclosure: Married to a contributor) (A)Yes!: 50 Scientifically Proven Ways to Be Persuasive, Noah J. Goldstein, Steve J. Martin, Robert Cialdini — Recommended by someone high-wattage bright in conversation, who was advising on how to nudge. (B)Magnitude: The Scale of the Universe, Kimberly K.Cultural Notes: January 2018
Sunday, February 4, 2018
With a nod to Kottke's monthly "Media Diet" posts, I'm experimenting this year with short monthly recaps of interesting things I've read, watched or listened to. (This is as much for myself, as noting what I took in can help me better recall it.) Read Paula Scher: Works — Terrific, from the opening essay and interview to the work itself. (A)Abbott Miller: Design & Content — Intelligent and beautiful. Especially loved reading about Miller's co-founding of a "Year in Review: 2017
Sunday, December 31, 2017
Continuing a 17-year tradition, I’m happy to share my Annual Favorites list for the year 2017: Family Let’s start with the best thing that happened to my family this year, which is the arrival of Sylvia Huremović Schenkenberg in late April. We’re still smiling at her the way Leo was above, just a few days in. Books My Struggle: Book 5, Karl Ove Knausgård Blind Spot, Teju Cole Citizen: An American Lyric, Claudia RankineGeorge Saunders on Monocle 24: A does-the-heart-and-mind-good interview with Georgina Godwin.
Teju Cole in Words & Pictures
Sunday, August 6, 2017
I loved every minute I spent with this beautiful, poetic, searching, confident book.Lethem on Knausgaard: "My Hero"
Tuesday, July 4, 2017
After discovering this short appreciation in a Jonathan Lethem essay collection on bookish things, I just read it aloud to my wife, who'd been curious about why I've been so utterly taken by this series and increasingly hungry for each subsequent volume. Lethem nailed it ("Knausgaard's approach is plain and scrupulous, sometimes casual, yet he never writes down. His subject is the beauty and terror of the fact that all life coexists with itself.An inspiring New Yoker profile of Steidl by Rebecca Mead.
Exit West
Tuesday, March 14, 2017
What a time for this deeply affecting Mohsin Hamid novel to appear. Here’s Jia Tolentino on The New Yorker’s website: The novel feels immediately canonical, so firm and unerring is Hamid’s understanding of our time and its most pressing questions. Whom are we prepared to leave behind in our own pursuit of happiness? Whom are we able to care for, whom are we willing to care for, and why are our answers to those questions so rarely the same?"Home and Away: Writing the Beautiful Game"
Tuesday, February 7, 2017
I've really been missing new Knausgaard material, as I've been waiting for the next translation... and suddenly I saw this new book being reviewed. Grabbed it from the library and gobbled it up in a few nights. Knausgaard and fellow writer Fredrik Ekelund exchange emails during the most recent World Cup. The topics are soccer, literature, childhood, family, yearning, memory... and on and on. Totally unique and enjoyable.Loved this World Book Club episode, with informed and curious readers asking Karl Ove Knausgaard about one of my favorite works of literature in several years. We shouldn’t be surprised that he’s a thoughtful and candid interviewee.