I was very impressed with “The Lost Daughter,” based on the Elena Ferrante novel, streaming on Netflix. An absorbing, assured, sensitive directorial debut from Maggie Gyllenhaal. Incisive comments here from her about how the material’s meant to expand the spectrum of the parental behavior we see and judge. Parents aren’t just ‘good’ or ‘bad.’ We have our moments. (Relatedly, it was … interesting to hear two non-parent critics refer to one of the film’s kids as “a terror” and “a brat,” respectively.
I was knocked out by Teju Cole’s Blind Spot in 2017. Just finished Black Paper: Writing in a Dark Time, and it’ll surely be a highlight of 2022. Sensitive, probing essays about humanity and the humanities. Such a privilege to be in his close-looking company. 📚
Since 2000, I’ve had a year-end tradition of sharing my cultural highlights of the past 12 months. For this year’s post, I’ll first note the major life change I had in 2021.
After eight years leading comms and marketing for the nonprofit conservancy Forest Park Forever, I re-entered the agency world this summer by joining The Stoke Group, a fully distributed digital marketing and content studio that focuses on the B2B tech sector.
Enjoyable read — indie design studio heads talking shop in “Studio Culture Now”. A few common themes: There’s freedom in staying small; having a nice workspace is a plus, but too much overhead’s a crusher; your design output matters, but so do process, leadership & owning your POV; social posts and basic PDFs can aid biz development more than a high-maintenance, glacially updated website; you can find success based anywhere, but be engaged w/ the field and your community. 📚
Finished The Morning Star by Karl Ove Knausgaard. Did not hit the heights for me of My Struggle, bit there’s always something special about being inside his sentences. I found myself losing some interest 70% of the way through, then was absorbed completely in that final section. 📚
Enjoyed The Chancellor by Kati Marton. Qualities vital to Merkel’s rise and 16-year tenure: endurance, humility, steeliness, patience, calm. (She once described herself, as she stood next to the high-energy, publicity-seeking Sarkozy, as an “energy-conserving lamp.”) 📚
How to write an engaging, smart e-newsletter opener, by the editorial team at Massive Science:
For the past few years at Massive, we’ve tried to avoid a gee-whiz attitude towards scientific discovery. It’s a little * flips open dictionary * reductive, shrinking complex stories into neat boxes, making what are often small nibbles at progress into big kabooming breakthroughs. We know our readers are savvy enough to see through that kind of framing. But sometimes, it’s fun to indulge, and let the wonder of the world wash over you a bit. This Weekend’s Reading is on, well, discoveries and their thrills.
Learned of comedic writer Simon Rich on Conan O’Brien’s terrific podcast and picked up his new book, New Teeth. The opening story, about two pirates coming to care for a stowaway baby, was just perfect. Here’s a version on The New Yorker’s website. 📚
Unlike many virtuosos, Eddie Van Halen had a knack for making virtuosity seem like a good time, and all the early Van Halen albums sound as if they were recorded at house parties, with the party noise somehow edited out.
This phrase and passage from Cullen Murphy’s April Atlantic essay, “No, Really, Are We Rome?”, have stuck with me:
But resilience does not prevent calamity. And being blindsided in slow motion is the hardest fate to avoid. The historian Ramsay MacMullen once distilled the long arc of the Roman Empire into three words — ‘fewer have more’ — but only the time-lapse perspective of a millennium and a half allows us to understand such a thing with brutal clarity.
“Invisible does not mean uninterested.” — Jim McKelvy in his smart, highly readable book “The Innovation Stack," on finding previously ignored markets (as he and Jack Dorsey did with Square)
Enjoyed and was impressed by Jim McKelvey’s “The Innovation Stack." I expected the smarts, but it’s also consistently funny. Great pacing, light on its feet. The STL connections are an added bonus.
Jeff Tweedy’s new Substack newsletter, Starship Casual, is unsuprisingly great — at turns goofy and thoughtful, just like his books and interviews. Today’s post, “Heart of Glass (Rememories 5), was especially memorable. He’s a slyly penetrating artist.
*Sylvie, sipping through a backyard quarantine concert by a friend and SLSO musician* Year 20 of my annual cultural-recap tradition was quite something. Thus far my family’s had good fortune amid the global pandemic, so we’re spending most of our time feeling grateful, yet exhausted, then grateful, yet exhausted. With lots of time at home, there was some enjoyable culture to take in. Here’s a look at some highlights: Books The Source of Self-Regard: Selected Essays, Speeches & Meditations, Toni Morrison Uncanny Valley: A Memoir, Anna Wiener Our Man: Richard Holbrooke and the End of the American Century, George Packer Having and Being Had: Eula Biss My Parents: An Introduction, Aleksandar Hemon Minor Feelings: An Asian American Reckoning, Cathy Park Hong Weather, Jenny Offill Promised Land, Barack Obama Then the Fish Swallowed Him, Amir Ahmadi Arian Jack, Marilyn Robinson My Life in France, Julia Child Severance, Ling Ma Caste: The Origins of Our Discontents, Isabel Wilkerson Luster, Raven Leilani Intimations, Zadie Smith Monocle: How to Make a Nation The Passion Economy, Adam Davidson These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, Martha Ackmann Wine Simple, Aldo Sohm Normal People, Sally Rooney The Lying Lives of Adults, Elena Ferrante Girl, Edna O’Brien Lurking: How a Person Became a User, Joanne McNeil How to Be a Family, Dan Kois Mies van der Rohe, Edith Farnsworth, and the Fight Over a Modernist Masterpiece, Alex Beam The Secret Lives of Color, Kassia St.
