Enjoyed John Warner’s new book, “More Than Words: How to Think About Writing in the AI.” A writer and teacher (and a former McSweeney’s editor), Warner has beliefs and ideals, but he’s not a scold, or an alarmist. With good humor a clear-eyed sense of the positive uses of technology, he describes how ChatGPT — which he calls “automated text,” not “artificial intelligence” — encourages the circumvention of the nourishing, difficult work of both writing and reading. And what ChatGPT’s doing is not writing, he points out; it’s syntax. And he’s here in these pages to celebrate what’s lasting and human about real writing.
“What I want to say about writing is that it is a fully embodied experience. When we do it, we are thinking and feeling. We are bringing our unique intelligences to the table and attempting to demonstrate them to the world, even when our intelligences don’t seem too intelligent.
ChatGPT is the opposite, a literal averaging of intelligences, a featureless landscape of pattern-derived text.
Why have we declared this a marvel when there’s an infinite supply of greater marvels all around us?”
Just finished a quick read of “Character Limit: How Elon Musk Destroyed Twitter,” by Kate Conger and Ryan Mac. A single sentence from the final third, describing yet another moment of chaos and spite, revealed something larger about the repugnant title character’s worldview: “And yet, Musk enjoyed the madness.”
“Muse retrospective” — Though I wasn’t a committed user of the Muse app, I used to enjoy listening to the intelligent podcast put out by the team. Here, and I’m late to this, Muse’s Adam Wiggins offers a perceptive, considered look back at the ups and downs of building a new “tool for thought.”
“The Lost Voice,” a new two-minute short film from Apple, directed by Taika Waititi. A richly told story about a single, powerful accessibility feature.
“A. G. Sulzberger on the Battles Within and Against the New York Times”: I was very impressed with Sulzberger during this extended conversation with David Remnick. Brought to mind the scenes in the Ben Smith book noted below, in which the NYT transforms from an org that appears to seek advice from the likes of BuzzFeed to one that builds on its ‘legacy’ status, rising confidently and profitably as that site falters.
I found a good amount of Ben Smith’s briskly paced new book “Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race to Go Viral” disheartening, in considering the vast amount of energy often bright (not always cynical) people were putting into voraciously attracting and retaining eyeballs with puffs of briefly entertaining trifles (some of which I also hungrily clicked on, and will do so again). Smith shares a number of interesting stories, both from his time observing and then working from within this particular type of machine. This was my favorite small detail, in which Smith recalls what happened after he joined the rising BuzzFeed media empire (after first turning the offer down) and pressed publish on his debut piece, “Welcome to BuzzFeed Politics,” setting the tone for a significant new social news organiziation:
Then I went to check the page: it was nearly illegible, the lines almost on top of each other. BuzzFeed had never before published a full paragraph.
I feel behind not having heard of the Gartner Hype Cycle, which charts the rise, fall, and settling-in adoption of emerging technologies. One of the hosts of the “People vs. Algorithms” podcast referred to it in a recent conversation about ChatGPT. Seems apt. We might be getting closer to the trough of disillusionment.
“A Tweet Before Dying”: Paul Ford, perceptive and funny and deep yet again, writing in Wired. Here he is on stepping away from his social stream to dive into curious PDFs unearthed from decades past:
But the seeking is important, too; people should explore, not simply feed.
In the NYT, "‘Snow Fall’ at 10." I can clearly remember when this immersive multimedia piece came out — discussing it with my agency colleagues, trying to figure out how we could get clients on board.
“The E-Mail Newsletter for the Mogul Set”: Fascinating NewYorker.com piece on Puck, the new digital media brand that impressed me enough — strong brand out of the gate, intriguing framework — to count me among its paying subscribers.
It took several days — and a few sections floated past me without comprehension — but what a treat it was to take in Matt Levine’s 40,000-word feature “The Crypto Story”, which took up an entire recent issue of Bloomberg Businessweek. Liked this bit:
Crypto, in its origins, was about abandoning the system of social trust that’s been built up over centuries and replacing it with cryptographic proof. And then it got going and rebuilt systems of trust all over again. What a nice vote of confidence in the idea of trust.
Levine’s “Money Stuff” newsletter is one of my favorite finds of 2022. Consistently entertaining, informed, and in-depth. Not sure how he does it, and so frequently.
“I had a post that went absolutely viral on LinkedIn,” said the influencer, who uses the name Natalie Rose in her work. The post, a crying selfie with a caption about anxiety and the reality of being an influencer, got over 2.7 million impressions. “That led to me having some business opportunities with anxiety apps, things like that,” she said. “I got a lot of connections and followers from it, all because I chose to be vulnerable in a post.''
In his concise and incisive book What Tech Calls Thinking, Adrian Daub examines and punctures a range of tech proclamations and tropes that many of us have just gotten used to hearing in recent decades.
That may sound sober, but it was an engaging read. Here’s Daub — a Stanford professor who’s primarily focused on the humanities — on Ayn Rand (whom he writes about in the context of Elon Musk, Peter Thiel, and Pixar):
In other words, there is a weird (and acknowledged) tendency here to treat an effort like architecture, which by definition requires a group and—dare I say it—collectives, as though it were the art that an individual makes in the solitude of a studio or a favorite writing nook. This is what historians of ideas call a ‘genius aesthetic’: it describes our tendency to think that the meaning of a work of art comes out of the specific mind of its creator, not out of the preexisting rules that creator worked within nor the broader spirit of the society and time. When you’re talking about a novel, that makes a certain amount of sense. But Rand extended this sense of individual brilliance to some of humanity’s most communal undertakings. Have you ever looked at a rail line and thought, I wonder what the one genius who decided to build a bridge over this valley was thinking? Rand has. And notice that, thanks to Elon Musk, we actually finally do have a billionaire whose weird tunnel-boring projects are basically a form of performance art—a pure emanation of individual genius, and sort of useless to anyone else.
Any new Paul Ford piece is a must-read for me. No one else I know of writes about technology with such a combination of literary style and wit and hands-on knowledge. (Once the Web Editor of Harper’s, he’s now the CEO of the digital product studio Postlight.)
Nerds, we did it. We have graduated, along with oil, real estate, insurance, and finance, to the big T. Trillions of dollars. Trillions! Get to that number any way you like: Sum up the market cap of the major tech companies, or just take Apple’s valuation on a good day. Measure the number of dollars pumped into the economy by digital productivity, whatever that is. Imagine the possible future earnings of Amazon.
The things we loved—the Commodore Amigas and AOL chat rooms, the Pac-Man machines and Tamagotchis, the Lisp machines and RFCs, the Ace paperback copies of Neuromancer in the pockets of our dusty jeans—these very specific things have come together into a postindustrial Voltron that keeps eating the world. We accelerated progress itself, at least the capitalist and dystopian parts. Sometimes I’m proud, although just as often I’m ashamed. I am proudshamed.
In an episode of the company’s “Rework” podcast, Basecamp staff look back on their five-hour outrage in November. Savvy framing of one of the company’s worst days.
Thoughtful piece at Wired from someone who’s been thinking and writing about this subject for quite some time: “We have arrived to the once imagined Future Book in piecemeal truths.”
That’s how code happens in 2018. The process used to be the sort of thing people did in slow and ad hoc ways, a few times a year, and only after a lot of infighting over email. Now the same process might happen 10 times a day, and the infighting is right there in the pull requests. Hundreds of people might be working on one code thing or 10 people on 100 code things. GitHub makes that doable. I can’t imagine life without it. I’d much rather tell a newbie to get a GitHub account than suggest she read the git manual. If all companies are becoming software companies, GitHub is a primary enabler.
A truly fun aspect of Microsoft’s acquisition of GitHub is that it was announced before Apple Inc.’s Worldwide Developers Conference. This is like when Passover overlaps with Easter in New York City. The WWDC, sacred nerd summit of Appledom, is where they announce things like a new “night mode” for the operating system and try to convince programmers that Apple Watch matters. But GitHub is nerd infrastructure. Huge portions of modern culture—Google’s TensorFlow machine-learning software, for instance, and even other programming languages, such as Mozilla’s Rust—run on code managed there. For Microsoft to trot this out during WWDC is a real thunder-stealer. It’s nice to see global-platform capitalism played with a little verve.
Ford is one of the most consistently entertaining and informed writers on technology — from the inside out. A former Harper’s staffer, he’s also one of the few writers who can casually and believably drop a Borges reference in a deep-tech piece. (Note: I also dig his podcast.)
The Longform Podcast's new episode with Elif Batuman is fantastic. I've enjoyed her writing for a few years, and in this interview you can just feel her thinking deeply about literature and writing and gender and observing in cities around the world and much more. As interviewer Max Linsky tweeted when sharing the link: "Genuinely, this is the most fun I have had in a long time. It was so fun, in fact, that at one point I stopped and said 'Wow I’m just very happy to be sitting here with you! This is so fun!' And then Elif was very gracious with me and then she said a bunch more brilliant things." It's true.
I also loved Design Observer's new episode with Aminatou Sow. She was new to me, and I'm clearly late to the game. On being late, though: Really enjoyed Sow's skepticism of the tech press's focus on the young (who wants to peak at 28?), vs. her interest in longevity; she's long thought the ideal age is 63 .
Continuing a 17-year tradition, I’m happy to share my Annual Favorites list for the year 2017:
Family Let’s start with the best thing that happened to my family this year, which is the arrival of Sylvia Huremović Schenkenberg in late April. We’re still smiling at her the way Leo was above, just a few days in.
Books
My Struggle: Book 5, Karl Ove Knausgård
Blind Spot, Teju Cole
Citizen: An American Lyric, Claudia Rankine
Exit West, Mohsin Hamid
Born to Run, Bruce Springsteen
Swing Time, Zadie Smith
Vacationland: True Stories from Painful Beaches, John Hodgman
Now You See It and Other Essays on Design, Michael Bierut
Home and Away: Writing the Beautiful Game, Karl Ove Knausgård and Fredrik Ekelund
Born a Crime: Stories From a South African Childhood, Trevor Noah
Obama: The Call of History, Peter Baker
Cork Dork: A Wine-Fueled Adventure, Bianca Bosker
A Separation, Katie Kitamura
Paul Rand: A Designer’s Art
More Alive and Less Lonely: On Books and Writers, Jonathan Lethem
Powers of Ten, Philip Morrison
Freud: Inventor of the Modern Mind, Peter D. Kramer
Movies
Moonlight
Lady Bird
Under the Skin
The Meyerowitz Stories (New and Selected)
Clouds of Sils Maria
Life Itself
Arrival
TV/Streaming
Better Call Saul, Season 3
The Americans, Seasons 4-5
OJ: Made in America
Master of None, Season 2
Audio I’m going to skip making a long list of favorite albums and podcasts, and instead note a discovery in each, respectively: Phoebe Bridgers (watch her Tiny Desk Concert here), and S-Town. They each feel a bit haunted, and they share, in parts, a gothic sensibility. (Also: I can’t not mention Black Thought’s instantly classic 11-minute freestyle video, which c’mon.)
Technology Our SONOS Play: 1 is used every evening for listening to music as we get ready for dinner or just goof around with the kids. Things 3 finally launched, and it’s attractive and enjoyable to use. It’s only been a month or so, but I’ve been enjoying trying out Ulysses as a writing environment (despite having no interest in using Markdown.) I’ve been impressed with Airtable as a flexible, humane alternative to Excel, when you need a database of some kind but have zero needs for financial calculations. (I’d seen the fancy Sandwich video when it launched, but didn’t realize it could fit my needs until the co-founder’s segment on Track Changes.)
Personal As noted on this website earlier this month, I was sad to see an end to the remarkable life of William H. Gass, who I was lucky enough to get to know over the past decade-plus. Bill lived a long and productive life, dying at 93, and working through his final year. I was honored to write briefly about him for the St. Louis Post-Dispatch and speak about his life and work on St. Louis Public Radio. I continue posting notes from readers and admirers at ReadingGass.org.
I'm such a believer in how Fried and his Basecamp colleagues position themselves for productive work. (Also great: this blog post about how the team made decisions about what Basecamp can solve and chooses not to solve.)
Continuing a 15-year tradition (though one that’s gotten briefer with age and fatherhood), here’s a roundup of some of my favorite things experienced during the past 12 months:
Books
My Brilliant Friend, Elena Ferrante
Those Who Leave and Those Who Stay, Elena Ferrante
The Story of a New Name, Elena Ferrante
The Story of the Lost Child, Elena Ferrante
Lila, Marilyn Robinson
My Struggle: Book 2, Karl Ove Knausgård
Between the World and Me, Ta-Nehisi Coates
H is for Hawk, Helen Macdonald
The Balloonists, Eula Biss
Being Mortal, Atul Gawande
Becoming Steve Jobs, Brent Schlender
Stress Tests, Timothy F. Geithner
Van Gogh: A Power Seething, Julian Bell
Marissa Mayer and the Fight to Save Yahoo, Nicholas Carlson
Bark, Lorrie Moore
Girl In a Band, Kim Gordon
So-so: Grace: A Memoir; I Think You’re Totally Wrong: A Quarrel
Music I used to make long lists of specific albums purchased and enjoyed, but since I’ve gone to paid streaming (and, maybe, since I’ve become a committed podcast listener), it’s harder for me to point to specific recordings at a year’s end. This is especially the case since Rdio shut down, and I’m now starting fresh with Spotify — my digital records are kind of a mess. While I listen to hours of classical and ambient/lush music through the headphones during work, a few specific artists I spent more time with in 2015 include Angel Olsen, Youth Lagoon, Sun Kil Moon, Sharon Van Etten, My Bubba, Jennifer O’Connor, Girlpool, Atlas Sound, Earl Sweatshirt, J Cole, Common, Pusha T, A$AP Rocky, Villagers, Natalie Prass, and Perfume Genius.
NYC + D.C. I had the good fortune of accompanying my wife on a work trip she had to NYC, and it was incredibly culture-rich. Highlights included the new Whitney, MoMA (Yoko Ono and Bjork special exhibitions), The Drawing Center, David Zwirner Gallery (Serra show), Neue Galerie (sensational collection), the Cooper Hewitt, and “Drifting in Daylight” in Central Park (where I shot this short phone video). We also enjoyed a long weekend in D.C. with family, with pleasant dips into the National Gallery (terrific Caillebotte show) and The Phillips Collection (first time, great time).
Work I’m fortunate to have a great job at Forest Park Forever, and 2015 saw a few especially fun projects ship. This includes the introduction of our new brand platform, our launch of Forestparkmap.org and the formal introduction of Forever: The Campaign for Forest Park’s Future, with a new website that features a beautiful campaign video we made with the team at Once Films.
Family As referenced appropriately at top, so much of this year — and so much of every day — has been about Tamara and I raising our son. I’d been told that right around 2 is a fun age, and it’s true. This year had a ton of special moments, including — just to pick one, which we happened to catch on film — Leo’s changing expression during his first ride on a carousel at the Saint Louis Zoo.
The first segment on high school freshman and Instagram (“’Relevance’ is a big term right now…. In middle school, we were definitely really relevant… ”) is a pretty incredible window.
