At The Atlantic, Conor Friedersdorf recalls his days working for Team Sullivan:
At The Daily Dish, I once asked readers in advance of a road trip across The South what I should see. I didn’t just get hundreds of suggestions; I didn’t just get extended essays on the geography, sociology, and competing styles of barbecue that characterize the region; I didn’t just get notes from people in eleven states; I also got invitations to stay overnight with Dish readers in a dozen cities, or to stop by for dinner at the houses of their parents, or to please write if I passed through where they live so they could at the very least buy me a cold beer. I was just a guest blogger. I don’t doubt that Sullivan could live rent free for five years if he asked nicely.
Didn’t connect with: Headhunters, We Have a Pope, The Bourne Legacy.
Favorite Movies: Pre-2012
A Separation
Bill Cunningham New York
Tinker Tailor Soldier Spy
Certified Copy
Margin Call
Notorious
A Dangerous Method
Bridesmaids
Young Adult
Moneyball
Conan O’Brien Can’t Stop
J. Edgar
Too Big to Fail
Hopscotch
Haywire
Music
I continue to be a huge fan of Rdio, which I pay $10 a month to be able to stream music on a desktop, iPad, or iPhone. (This includes, say, streaming the new Nas via my home’s wi-fi as I mow my suburban lawn.) There will always be rituals and a closeness to the music I miss from my CD days, but the advantages of Rdio — especially the ability to discover and immediately listen to new music, particularly hip-hop and classical — are significant. I don’t have a ranked list here, but my listening history is an open book.
Favorite Articles, Essays & Blog Posts (categorized, not ranked)
One unusual memory I have from 2012 is spending several weekday evenings in March walking through my neighborhood for an hour or so, listening to the day’s oral arguments for and against the healthcare act. (My greatest moment of exasperation was hearing Justice Scalia mock-ask whether he was seriously supposed to get through so many pages of material.) In April, I published Abstractions Arrive: Having Been There All the Time, an iPad-only e-book pairing an essay by William H. Gass with photographs by Michael Eastman; New York Times coverage was a cherry on top. May’s Confab conference was one of the best I’ve attended. In August, Tamara and I enjoyed a few highly cultural days in Miami. Surpassing all that, though — we’re expecting a baby in late May of 2013. I expect this should be my best year yet.
I’m still at work editing The Ear’s Mouth Must Move: The Essential Interviews of William H. Gass. While I’d love for this to be published in a gloriously beautiful print version, I haven’t yet found an interested publisher. So it’s likely that, as with Abstractions Arrive, I will publish it myself as an iPad e-book using iBooks Author. Life is short, and I get restless waiting for traditional gatekeepers. We’ll see, though.
Here are a few screenshots of the in-process project, posted here mainly to show what’s possible in terms of tappable footnotes. More in time…
An important and insightful essay. I hope Mod writes a part two that looks a bit more at how exactly (to continue his metaphor) the small vehicles would get made.
Related: Mod’s round-up of coverage of his essay. This Jim Ray piece from the Mule blog isn’t on there, but I think it’s worth reading.
The subtitle of this Slate piece is way too glib, but the essay from Piper — a literature professor at McGill — is worth reading. Thoughtful and thought-provoking. It’s excerpted from Piper’s book, Book Was There: Reading in Electronic Times.
A sliver of self promotion, as I link to a brief video portrait of me made by Greg Kiger and his Once Films crew for a series of TOKY portraits. You can watch the segments on my friends and colleagues Jay, Geoff, and Katy on the TOKY blog.
Have to say I like Lee Rice Epstein’s photo of the iBook, which he captioned this way on Twitter: “Gass + Eastman via @Schenkenberg at cruising altitude.” Glad you’re liking it, Lee!
Interesting piece by Sean Bishop in the VQR blog. (And yes, I agree with this sentiment, and not just for literary publishers, but other groups in the arts: “There is still a contingent of presses and publishers who bristle at the idea of ‘branding,’ 'marketing’ and the lot. Stop it…. They (you) need to get over that. I mean, seriously: you’re a publisher, not a religion.”)
There’s the neutral white box. We see that, if you take that too far, it sucks the light out of art. Then there’s the super-expressionist building by the signature architect. But if you take that too far, it totally squashes the art, so you can’t have a great feeling for any art experience in a building like that.
And we believe there is a third way, where the sense of space in which you’re going to experience the art is silent and poetic, but when you move from one gallery to another you’re engaged by the sequence. The building draws you through and doesn’t frustrate the movement. You sense that someone wrote a musical score — that this is the way you flow through spaces.
The other day, I tweeted some frustration about the news that a world-famous film director had turned to Kickstarter to fund a new project.
Yesterday, I learned that one of my favorite (but maybe not yet financially set-for-life) singer-songwriters, Chris Mills, had too. That’s more like it. I’ve been listening to Chris and seeing him live since my days living in Chicago in the late 90s. Great songs, really nice guy. Happy to back him.
A short film about the radio station’s first year. Can’t say I’ve ever connected with the music they play, but I enjoy subscribing to a handful of podcasts, with The Stack, Section D, and The Entrepreneurs at the top of the list.
In the New York Times Magazine, an in-depth look at Jon Rimmerman’s $30-million-a-year wine-selling business. It’s a tale of “vivid stories” being told through “idiosyncratic e-mails.” Wine + content strategy = article made for me.
Interesting historical perspective from Chrystia Freeland, writing in the Times:
The story of Venice’s rise and fall is told by the scholars Daron Acemoglu and James A. Robinson, in their book “Why Nations Fail: The Origins of Power, Prosperity, and Poverty,” as an illustration of their thesis that what separates successful states from failed ones is whether their governing institutions are inclusive or extractive. Extractive states are controlled by ruling elites whose objective is to extract as much wealth as they can from the rest of society. Inclusive states give everyone access to economic opportunity; often, greater inclusiveness creates more prosperity, which creates an incentive for ever greater inclusiveness.
Really looking forward to checking out this new iOS magazine from Marco Arment. From his announcement:
But just as the App Store has given software developers a great new option for accepting direct payment, Newsstand has given publishers an even bigger opportunity with subscription billing and prominent placement. Yet most publishers aren’t experimenting with radical changes. They can’t — to fund their huge staffs and production costs, they can’t afford to deviate from yesterday’s model. And most individual writers can’t, won’t, and shouldn’t make their own Newsstand apps.
There’s room for another category between individuals and major publishers, and that’s where The Magazine sits. It’s a multi-author, truly modern digital magazine that can appeal to an audience bigger than a niche but smaller than the readership of The New York Times. This is what a modern magazine can be, not a 300 MB stack of static page images laid out manually by 100 people.
