media

“A. G. Sulzberger on the Battles Within and Against the New York Times”: I was very impressed with Sulzberger during this extended conversation with David Remnick. Brought to mind the scenes in the Ben Smith book noted below, in which the NYT transforms from an org that appears to seek advice from the likes of BuzzFeed to one that builds on its ‘legacy’ status, rising confidently and profitably as that site falters.

“The New New Reading Environment” — A sharp survey from the editors at n+1.

“The E-Mail Newsletter for the Mogul Set”: Fascinating NewYorker.com piece on Puck, the new digital media brand that impressed me enough — strong brand out of the gate, intriguing framework — to count me among its paying subscribers.

Favorite recent podcast find: The Rebooting show from Brian Morrison, who was president and EIC at Digiday Media. Informed, in-depth conversations about media and publishing, from start-ups to the HBRs of the world.

David Remnick on "CBS Sunday Morning"

He continues to be near the top of my list of working professionals I admire. 

Ramón Lobo Interviews David Remnick

From the lengthy Q&A: Coming back to the first topic of our conversation, how can we convince people that Internet is not enough to be informed? I don’t agree with you. I think the Internet is just a tool, a means of distribution. And it’s a radically more efficient means of distribution than print. But some people may have the impression they can know everything what is happening only with a click.

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"The Social Media Editor is Dead"

At BuzzFeed, Rob Fishman on the widening out of this once-distinct role.

Robert Silvers: Toward a "New Form of Criticism"

At New York Magazine, the great journalist Mark Danner talks at length with The New York Review of Books’ Robert Silvers. Here’s one bit about online publishing and social media, which strikes me not as fuddy-duddy, but very considered: To tweet or not to tweet. And not to tweet is to be left behind. And that raises a question: What is this? What are the kinds of prose, and the kinds of thinking, that result from the imposition of the tweet form and other such brief reactions to extremely complex realities?

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The Dish's Readers

At The Atlantic, Conor Friedersdorf recalls his days working for Team Sullivan: At The Daily Dish, I once asked readers in advance of a road trip across The South what I should see. I didn’t just get hundreds of suggestions; I didn’t just get extended essays on the geography, sociology, and competing styles of barbecue that characterize the region; I didn’t just get notes from people in eleven states; I also got invitations to stay overnight with Dish readers in a dozen cities, or to stop by for dinner at the houses of their parents, or to please write if I passed through where they live so they could at the very least buy me a cold beer.

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Craig Mod: "Subcompact Publishing"

An important and insightful essay. I hope Mod writes a part two that looks a bit more at how exactly (to continue his metaphor) the small vehicles would get made. Related: Mod’s round-up of coverage of his essay. This Jim Ray piece from the Mule blog isn’t on there, but I think it’s worth reading.

Monocle 24 Turns One

A short film about the radio station’s first year. Can’t say I’ve ever connected with the music they play, but I enjoy subscribing to a handful of podcasts, with The Stack, Section D, and The Entrepreneurs at the top of the list. 

Marco's "The Magazine"

Really looking forward to checking out this new iOS magazine from Marco Arment. From his announcement: But just as the App Store has given software developers a great new option for accepting direct payment, Newsstand has given publishers an even bigger opportunity with subscription billing and prominent placement. Yet most publishers aren’t experimenting with radical changes. They can’t — to fund their huge staffs and production costs, they can’t afford to deviate from yesterday’s model.

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David Carr on Atlantic Media's David G. Bradley

From the NYT profile: What is the way forward for a 155-year old-magazine that once published Emerson and Longfellow? Digital first and last, with ancillary revenue from conferences. The magazine, edited by James Bennet, is still very much in the middle of the conversation, but these days it is prized mostly for bringing luster to digital assets like Atlantic.com, Atlantic Wire, Atlantic Cities, and beginning Monday, Quartz. And later:  “It’s become very, very clear to me that digital trumps print, and that pure digital, without any legacy costs, massively trumps print,” Mr.

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"Lessons For Building A Tablet Magazine That's Actually Worth Using"

From Co.Design: The New Yorker has seen success with its relatively straightforward digital edition, but there’s nothing that really differentiates it from the print version, except maybe that it’ll save you the embarrassment of having a tower of unread issues on your nightstand. Aside from poet-spoken poems? Videos? Supplemental documents? Slideshows of artworks? Movie clips? This suggestion (even made in slight jest) — that only futuristic interactive material counts as worthwhile tablet content — gives me the blues.

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"First of all, we don't publish slideshows"

Great email from BuzzFeed CEO Jonah Peretti to his troops about why the site’s succeeding right now.

"Which Cover Would You Choose?"

A behind-the-scenes post about how The New York Times Magazine chooses its covers (which are exceptional).

The Ryan Lizza Diet

Part of The Atlantic’s “What I Read” series, which I’m always interested in. Two notable bits: His props for Twitter as the go-to, pre-any-kind-of-publication morning media spot (he’s taken to it in a big way) and his description of Newsweek as “very underrated.” That second bit surprised me — will have to look again.

David Carr: "At BuzzFeed, the Significant and the Silly"

From this NYT look at the evolving Buzzfeed: As the consumer Web has matured, readers have become minipublishers, using social media platforms to share information they think will entertain and enlighten their friends. No longer is it just about so-called sticky content that keeps readers around, or even clicky content that causes them to hit a link; it’s also about serving up content that is spreadable. Hit the right note, and your readers become like bees, stopping by your site to grab links and heading back out on the Web to pollinate other platforms.

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