st. louis

Deeply reported NYT article by Lydia DePillis about St. Louis’s efforts to attract foreign-born residents, historically and within the current climate. A concerning, frustrating read, though it’s heartening to see a range of local leaders advocating for this issue nationally. Attracting, welcoming, and assisting immigrants and refugees has been such an important part of our city’s last few decades, and we’ll be worse off, as a whole region, without it continuing. (I’ve experienced this first-hand; the International Institute helped settle my wife’s family when they arrived more than 25 years ago.) Gilberto Pinela, who I was fortunate to get to know when he was at Cortex, sums up what this could mean for the region:

“We are experiencing the early stages of a winter demographic. It’s not only affecting the city and the region, but soon it will affect the entire state,” said Mr. Pinela, sitting in the mayor’s office at City Hall, in a part of downtown that feels deserted on a weekday afternoon. “The same politicians that are trying to isolate the state are going to be suffering the consequences of this later on.”

Year in Review: 2024

As I’ve done for the past few decades, I’m ending the year with a look back at some cultural highlights I found most fulfilling during the past 12 months:

  1. Hitting the road with the kids: 2024 was a special year for family travel — an early summer trip to stay with relatives in San Francisco (a moment from there above), then a late summer stay with my sister just outside of D.C. Muir Woods, Presidio Tunnel Tops, the de Young, the Glenstone, MLK Memorial, National Gallery, and so much more. Great ages for the kids to experience both. Fortunate to have been able to do it.

  2. Nonfiction books: “The Country of the Blind: A Memoir at the End of Sight," by Andrew Leland; “The Vanity Fair Diaries: 1983 – 1992” by Tina Brown; “All Things Are Too Small: Essays in Praise of Excess” by Becca Rothfeld; “The Dawn of Everything: A New History of Humanity” by David Graeber and David Wengrow; “The Message” by Ta-Nehisi Coates; “Kafka: Diaries” (translated by Ross Benjamin); “To Fall in Love, Drink This” by Alice Ferring; “Lovely One: A Memoir” by Ketanji Brown Jackson; and “The Contagion Next Time” by Sandro Galea.

  3. Chunky, visual-heavy nonfiction books: “The Look of the Book: Jackets, Covers, and Art at the Edges of Literature” by Peter Mendelsund and David J. Alworth; “The Work of Art: How Something Comes from Nothing” by Adam Moss (an exceptional editorial mind); “I. M. Pei: Life Is Architecture” by Shirley Surya; “The Wes Anderson Collection” by Matt Zoller Seitz; “Branding: In Five and a Half Steps” by Michael Johnson; “How Design Makes Us Think and Feel and Do Things” by Sean Adams; and “Crossing the Line: Arthur Ashe at the 1968 US Open” (multiple editors/writers).

  4. Novels: “The Fraud” by Zadie Smith; “Nonfiction: A Novel” by Julie Myerson; “Intermezzo” by Sally Rooney; and “Catalina” by Karla Cornejo Villavicencio.

  5. Books of poems: “Scattered Snows, to the North” by Carl Phillips and “A Film in Which I Play Everyone” by Mary Jo Bang, both STL-connected writers.

  6. Books about what went wrong at Twitter: I should not have spent time reading two books on this subject, but they were interesting: “Battle for the Bird” by Kurt Wagner and “Character Limit: How Elon Musk Destroyed Twitter” by Kate Conger and Ryan Mac.

  7. Rereading “Gilead”: Endures. Recommended for when you’ve just read two books about Twitter.

  8. The William Gass Centenary: I spent many years writing about and promoting awareness and discussion of Bill’s work, and I had the great fortune of getting to know both Bill and Mary during the last decade of his long and productive life. In October, WashU organized a day-long event to mark what would have been Bill’s 100th birthday. While the Gass projects I launched over the years are set on a kind of permanent simmer, it was meaningful to re-immerse myself in the world of Bill’s writing. Videos and resources are available on the university’s centenary website.

  9. Movies: I was deeply impressed and moved by “The Zone of Interest”; “The Taste of Things”; “Past Lives”; “Anatomy of a Fall”; “Petite Maman”; “Saint Omer”; “Aftersun”; and “His Three Daughters.” Also enjoyed “Killers of the Flower Moon”; “American Fiction”; “You Hurt My Feelings”; “Between the Temples”; “May December”; “Barbie”; “Oppenheimer”; “Maestro”; “Janet Planet”; “She Said”; “Showing Up”; “BlackBerry”; and “Dumb Money.” Temporarily engrossing: “Conclave.” Interesting docs: “Modernism, Inc.: The Eliot Noyes Design Story”; “Martha.”

  10. Satisfying rewatches: “Marriage Story”; “Heat”; and “Kicking and Screaming” (prompted by The Rewatchables). Plus, with the kids, “Spellbound” and “The Princess Bride.”

  11. Articles about the world: “Seventy Miles in the Darién Gap” by Caitlin Dickerson, The Atlantic; “Our Strange New Way of Witnessing Natural Disasters," by Brooke Jarvis, NYT Magazine; “The Forgotten History of Hitler’s Establishment Enablers,” by Adam Gopnik, The New Yorker; and “Unsafe Passage: A Palestinian Poet’s Perilious Journey Out of Gaza,” by Mosab Abu Toha, The New Yorker.

  12. Articles about America: “What Will Become of American Civilization?" by George Packer, The Atlantic; “The Golden Age of American Jews Is Ending,” by Franklin Foer, The Atlantic; “The Man Who Died for the Liberal Arts," by David M. Shribman, The Atlantic; and “Shibboleth” by Zadie Smith, The New Yorker.

  13. Personal essays: “On Cancer and Desire," by Annie Ernaux, The New Yorker; “The Birth of My Daughter, the Death of My Marriage” by Leslie Jamison, The New Yorker; “If My Dying Daughter Could Face Her Mortality, Why Couldn’t the Rest of Us?" by Sarah Wildman, NYT; and “Variations on the Theme of Silence," by my friend Jeannette Cooperman, The Common Reader.

  14. Great match of medium and story: “She Slept With a Violin on Her Pillow. Her Dreams Came True in Italy," by Valeriya Safronova, with photographs and video by Sasha Arutyunova, NYT; “How Taylor Tomlinson Nailed Her Closing Joke," by Jason Zinoman, NYT.

  15. TV shows: The show that made me smile the most all year was “Girls5Eva” (all seasons are streaming on Netflix). Huge fan as well of “Beef”; “The Bear” seasons 1 and 2; “Ripley”; “My Brilliant Friend” season 1; and “Fargo” season 5. Enjoyed “Magpie Murders” and “Bad Monkey.”

  16. New Music: “Oh Smokey” from Clem Snide; “Manning Fireworks” from MJ Lenderman; “Charm” from Clairo; “Patterns in Repeat” from Laura Marling; “Hit Me Hard and Soft” from Billie Eilish; and “Chromakopia” from Tyler, The Creator. Doechii’s Tiny Desk performance was fierce.

  17. New podcasts: My favorite new-to-me podcast this year was Talk Easy with Sam Fragoso. The host is wise beyond is years, does superb research and prep, and seems to quietly relish his good fortune of gently steering weighty conversations. (You can’t go wrong choosing an episode, but Fragoso’s conversation with Ocean Vuong was especially memorable, particularly for the author’s insights about youth and masculinity in America.) Another new discovery I enjoyed, as a former magazine EIC, was Print is Dead (Long Live Print). I can’t remember if I discovered it last year or this year, but I enjoy Jarrett Fuller’s Scratching the Surface podcast (as well as his blog).

  18. A few podcast episodes: Bonnie Prince Billy talks through “I See a Darkness” on Life of a Record; The Wolf of Wine decodes his single “Quintin Tarantino”; Zadie Smith talks through “The Fraud” on Fresh Air; and the Dissect hip-hop aficionados talk through the Best Bars of 2024.

  19. Connecting with two living artists: Any year when my wife Tamara presents a new exhibition is a good one, and this year saw her open “Delcy Morelos: Interwoven," at the Pulitzer Arts Foundation. Having our kids meet the Colombian artist, and hearing her talk astutely about her work, were highlights from the year. Grateful as well to meet Julie Blackmon, one of my favorite living photographers, and hear her discuss her distinctive Midwestern work at the Saint Louis Art Museum.

  20. Home tour with Laura Dewe Mathews: I have such admiration for Matt Gibberd and what he’s built with The Modern House — from the real estate listing website to the Homing In podcast to the publications, each one presented handsomely and with soul. In the summer, Matt shared a video interview and tour he did with architect Laura Dewe Mathews. I was thinking back to this one in particular, because Mathews' lovely home is known locally as “the gingerbread house” — and our kids are asking to begin nibbling away at theirs.

With that, sending best wishes to you in the new year.

Leadership St. Louis 2018-19

I'm honored and grateful to have been selected to be part of the 2018-19 class of Leadership St. Louis. Here's how FOCUS St. Louis describes the program: 

Leadership St. Louis is a highly respected program for established and emerging leaders who have demonstrated a deep commitment to improving the St. Louis region. The 9-month curriculum explores such issues as economic development, racial equity, education, poverty and social services, arts and culture, and the criminal justice system. Participants visit key sites in the bi-state region, engage in face-to-face dialogue with regional decision makers and gain a deeper understanding of leadership approaches that produce results.

I'm impressed with those I've heard from who have completed the program, as well the fellow participants I met at last week's orientation. Should be an exciting nine months.

Mona Hatoum’s “Hair Necklace,” shown in a slide from her packed-house talk today @pulitzerarts.

SLAM’s impressive German collection has this effect on a lot of visitors

Discussing Gass on St. Louis Public Radio

I was honored to join Lorin Cuoco last week on Don Marsh’s “St. Louis on the Air” to discuss the life and work of William H. Gass. The audio is embedded in the station’s obituary. 

On Meeting & Knowing William Gass

I wrote this piece, “Words of William H. Gass touched readers around the globe," for the St. Louis Post-Dispatch. It was published this past Sunday. (The anecdote at the beginning — which in a way launched my relationship with Gass — almost didn’t happen. I went to that literary reading only after hemming and hawing about maybe staying home to watch “24.")

STL Public Radio Remembers Agnes Wilcox

I was very sad to learn about the sudden death of a woman I was lucky enough to know while serving on the Prison Performing Arts Board. Agnes opened many eyes, including mine. She prized art, championed underdogs, fostered resilience, brought joy. Hers was a world-improving life.

Studio Gang to STL

Exciting news here in St. Louis: Studio Gang-designed residential tower to go up just east of Forest Park. Love knowing the architect from this 2014 New Yorker profile I enjoyed will be enriching my home city.

Listenforestpark.org

Fun audio project our Forest Park Forever team launched this summer.

"I Was a Refugee"

Veneta Rizvic, writing in the St. Louis Business Journal.

"In Prison, Preparing for Home"

In my first post on Medium, I write briefly about attending a performance of Prison Performing Arts, whose Board I’m on.

Life News: I'm Joining Forest Park Forever

This is an exciting week for me: I’m joining the staff of Forest Park Forever as the organization’s Strategic Communications Director.

For those unfamiliar with St. Louis, Forest Park is my hometown’s larger-than-Central-Park gem that’s home to the Saint Louis Art Museum, the Saint Louis Zoo, the Missouri History Museum, and several other terrific organizations; there’s also tennis, golf, running paths, paddle boats, fishing, you name it. FPF is the private nonprofit, created in 1986, whose mission is to “restore, maintain and sustain Forest Park as one of America’s great urban public parks, for the enjoyment of all now and forever.” (If you’d like a glimpse at the remarkable work FPF has done over the past few decades, here are some before-and-after photos published in the RFT last month.)

The Park’s a special place for me — it’s where, as a kid, I played in junior tennis tournaments and sledded down Art Hill. And it’s where, as an adult, I met my wife … and even where I married her.

It’s been such a pleasure to work at TOKY these past few years — the firm is packed with kind, talented people creating smart, beautiful work. I’ll miss the team and the clients, and wish them all well.

Looking ahead, I’m incredibly excited about this new opportunity at Forest Park Forever. Everyone I’ve met so far has been impressive, upbeat, and passionate about doing great work for the good of this incomparable place. Can’t wait to get started on Tuesday. 

Joe Pollack Has Died

The hard-working, well-known, and friendly St. Louis dining, theater, and movie critic died Friday at age 81. The Post-Dipatch has an appropriately detailed obituary, and my friend George Mahe has a very nice post at his Relish blog, noting that Joe was at work the night before on five — five — movie reviews. I met Joe and his wife (and writing partner) Ann during my St. Louis Magazine days, when George brought both of them into the contributors’ family. We were lucky to have them. My condolences to the Pollack family.